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The Mushroom in Christian Art: The Identity of Jesus in the Development of Christianity
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Review
“A picture is worth a thousand words. In this enlightening book, and on the well-illustrated DVD, John Rush identifies the real Jesus and argues convincingly for the prevalence of the historical, religious use of hallucinogenic mushrooms in Christianity.” —Jan Irvin, author of The Holy Mushroom. “Going beyond the identification of putative fungal shapes in the religious art of Europe, John Rush has provided an eloquent and sophisticated context for their significance, a kind of grammar of symbolic forms, lavishly illustrated, opening up an essential topic of dialogue for anyone interested in understanding the creative imagination of this vast and intriguing period of history.” —Carl Ruck, professor of Classics at Boston University and author of Sacred Mushrooms of the Goddess: Secrets of Eleusis“The Mushroom in Christian Art is a valuable addition to the growing corpus on the question of whether hallucinogens played a central role in Christianity and, as such, is well worth the read.” —The Psychedelic Press UK
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About the Author
John A. Rush, PhD, ND, is a professor of anthropology at Sierra College in Rocklin, California. His research has ranged from religious symbolism in Europe to monuments and Mayan astronomy in Central America. He is also the author of Failed God, Spiritual Tattoo, and The Twelve Gates.
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Product details
Paperback: 400 pages
Publisher: North Atlantic Books; Pap/DVD edition (January 11, 2011)
Language: English
ISBN-10: 1556439601
ISBN-13: 978-1556439605
Product Dimensions:
7.1 x 0.8 x 9.2 inches
Shipping Weight: 1.6 pounds (View shipping rates and policies)
Average Customer Review:
3.1 out of 5 stars
12 customer reviews
Amazon Best Sellers Rank:
#234,701 in Books (See Top 100 in Books)
Rush is a professor that is herein providing his syllabus to us in the form of a book. He is not a very good writer of books. He is extremely repetitive, using what I call the "Hydra Method" to substantiate what are sometimes untenable positions by coming at the issue from multiple directions again and again. The summary part of his scholarship is often rudimentary and one wonders how he became a professor. Over and over, I kept picturing him closing his eyes and waxing poetic, but his poetry falls flat.Essentially you can fast-forward and speed-read his book, flipping through pages full of drivel at a hyper accelerated rate. I wanted to give his book 1 star, but as I sped through it, I kept finding I had to stop at some salient point of research that Rush offers up. The reader will come to realize that he has a certain expertise, which in part is in teasing out mushroom motifs from passages of the Bible. Now Rush had 3 stars, because this information is scattered through dozens of other books by other authors and none of them are focusing solely on the Bible like Rush is. As the reader digests the entirety of the book, they realize that it cannot be read without viewing the DVD which is attached onto the back-cover. Here is what Rush does best: he has methodically traveled the world snapping pictures of very old tapestries, stained glass windows, frescos, tomb and catacomb art, psalters and many other sources. He has literally gathered a thousand pictures which tell a very interesting story about Judaism in general and Christianity in particular: THEY USED DRUGS. More to the point, all through the Christian art are seemingly countless depictions of psilocybin "magic" mushrooms and in particular the tell-tale red-cap of the Amanita mushroom.Now Rush is the consummate professor. You are sitting in his class, having endured his preachification, and now he turns on his projector and takes you into another world. You are inundated with pictures, slide after slide of Jesus with mushrooms, Mary with mushrooms, angels with mushrooms, Adam and Eve with mushrooms. By the end, you understand that Christianity was a mushroom religion. PERIOD. This is why Paul spoke of the Eucharist and the Agape feast in terms of partaking in a "Mystery" with a special sacrament. This is why over time, Church officials made the Agape feast forbidden, because early Christians were reportedly "wandering" around the Church in a stoned-out haze getting into everything. This is why Paul tells Christians to partake of the sacramental part of the Agape feast in the privacy of their own homes, but to continue coming together to partake in the communal meals.While Rush includes 252 images in his DVD (or is it a CD? idk), he mentions many other images in his book which he doesn't seem to have had permission to reproduce. Many other authors have a handful of images they use in their books, but Rush far exceeds them. He has more images of the "mushroom tree" as art-historians call it than all other authors combined. I can't imagine anybody ever catching up to him. Through is perseverance, Rush has made himself an essential invitee to the round-table on Myco-Mythology. You simply cannot have the conversation without him anymore. I think that over time he will become a better author and I hope that he edits "The Mushroom in Christian Art" to continue refining what seems to be his Opus. Many authors have done this with their own Opus, and Rush would be doing us a service in situ. I can't help but wonder if his editor at North Atlantic Books and his agent (surely he has one) didn't do him a disservice by letting this book go to print in such a haphazard way. Nonetheless I give the book 4 stars simply for his collection of images alone. Invaluable!
My impression was that the author was really reaching to justify any possible connection between religious medieval art and the use of psychoactive fungus. After a while everything longer than it was wide became a suspect hallucinogen. Almost all of the visual and artistic connections within the book are subjective and therefore debatable. Any validation for visionary usage by either ancient or contemporary mushroom users is left strictly to the imagination of the reader. There is an irrational drive amongst modern day mushroom aficionados for establishing some kind of historical world wide connection for religious usage of visionary fungi as if that kind of validation is a defining prerequisite for contemporary usage, this book painfully reminds us no such prerequisite is required, not now, not ever.
DVD is really just a CD with jpeg images. I loved it but thought the images would be higher resolution. Text was good. I had hoped for more but glad I got the book.
This was a book that was "suggested" reading for a class Prof. Rush taught. I thought it would be an interesting read at the very least. All the books I bought of his are unsupported, personal theories. The positive accolades for the book seem like they are written by friends of the author's. I would expect other religious study professors to be writing those, but he likely couldn't find any to write positive things about it. Some of his theories have been researched and largely dismissed by his peers in religious or anthropology studies.
I just finished Dr. Rush's, Mushroom in Christian Art, and although shocked to learn Jesus was a mushroom and the pathway to God, his argument and accompanying images have convinced me he is correct. It takes a great deal of courage to write a book like this knowing how the Catholic Church and fundamentalists will most likely respond. This is clearly shown in the review by Psillytom (did you really read this work?). Dr. Rush, as expressed in this work and, Failed God, knows a great deal about Christianity and certainly more than the art historians.Five stars for Rush; Psillytom, seek illumination!
Yes, in some paintings you see mushrooms but other than that, this book is full of opinions an assumptions that are quite laughable and ridiculous. It also bothers me when, throughout the book, the author makes use of words like: in my opinion, i beleive, we might say, perhaps, a probable metaphor, maybe... and also, the pervaisive statement that Jesus was a mushroom makes me laugh. Not that I know was Jesus was but this is ridiculous. Why not paint the mushroom instead of a man who was a mushroom? Why does the author see mushrooms where there are not any?Constructing something out of personal views and beleifs is easy. Showing the proof, well...Don't waste your time or money in this book.
I bought this book for the illustrations, so one nice feature of it is that it is very cheap for a book with as many color photographs, collected all in one place, as a DVD full of high-quality images.However, as other reviewers have said, the book might have had scholarship, but the author chose instead of just transcribe his lectures: rambling, repetitive, full of personal opinion and inane asides. One must wade through vast paragraphs of stream of consciousness spew, interrupted occasionally by quoted texts from other authors which may or may not have anything to do with supporting his point.I am disposed to support the thesis of this book. But I wouldn't recommend it to anyone, and if I hadn't read Heinrick's Magic Mushrooms in Religion and Alchemy" I would definitely assume the entire idea is nuts. It would be wonderful to have a book that explores the mushroom in early christian art, and makes an argument for the sacred use of amanita muscaria among early christians. But this book isn't it.Read Heinrick's book, and look at the pictures in this one.
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