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The Antinomies Of Realism, by Fredric Jameson
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Review
“Manifestly displays Jameson’s many virtues as a truly great critic ... It is not always easy to read the work of someone who just won’t sit on his laurels: but in this case it is worth it.” —Robert Eaglestone, Times Higher Education “This latest installment in his epic ‘poetics of social form’ is vintage Jameson: no other critic has his range of reference in literature and theory, and no one dialecticizes their connections to politics and history with anything like his transformative energy. Not since Auerbach has ‘realism’ been so penetratingly analyzed or so radically rethought. With many surprises along the way – such as the new centrality Jameson affords ‘affect’ in the realist novel – the results are absolutely stunning.” —Hal Foster, Princeton University “Admirable ... Jameson thinks dialectically in the strong sense, in the way we are all supposed to think but almost no one does.” —Michael Wood, London Review of Books
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About the Author
Fredric Jameson is Distinguished Professor of Comparative Literature at Duke University. The author of numerous books, he has over the last three decades developed a richly nuanced vision of Western culture’s relation to political economy. He was a recipient of the 2008 Holberg International Memorial Prize. He is the author of many books, including Postmodernism, Or, The Cultural Logic of Late Capitalism; The Cultural Turn; A Singular Modernity; The Modernist Papers; Archaeologies of the Future; Brecht and Method; Ideologies of Theory; Valences of the Dialectic; The Hegel Variations; and Representing Capital.
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Product details
Hardcover: 432 pages
Publisher: Verso (October 8, 2013)
Language: English
ISBN-10: 1781681333
ISBN-13: 978-1781681336
Product Dimensions:
6.4 x 1.3 x 9.4 inches
Shipping Weight: 1.4 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
5 customer reviews
Amazon Best Sellers Rank:
#638,959 in Books (See Top 100 in Books)
Great Quality of Product and Fabulous Service
What can I say; it's Jameson.
Fredric Jameson at his best! Who else could bring such immense erudition to a conceptual analysis of what appears to be his first love: the novel? With his characteristic and brilliant deployment of philosophical and political ideas developed over a lifetime of critical observations, Jameson takes a backward look at the notion of what's the real in the novels of Walter Scott, Zola, George Elliott, Twain, Faulkner, Tolstoy and many others. It's one of my own best books of the year.
Look, there's no question that Jameson is a serious and important thinker. But the fact remains that he is not a good writer; he badly needs an editor, and it seems as though he is too famous for someone to stand up and tell him when a sentence doesn't work. There are many such sentences here.It's hard to know where to begin with the problems with this book. The breadth of erudition is impressive, but often haphazard, and authors are mentioned with no apparent purpose except that they occurred to Jameson as he was writing. There is a sense of self-assured free-assocation throughout. That, combined with some truly atrocious writing, frequent inconsistencies and contradictions, leaves little to hold the book together.And the assembling of the book seems to have been as rushed as the composition. There are typos throughout, inconsistencies in citation, transliteration, and translation (in one paragraph, a city is referred to by its Czech and German names; if you didn't know already what he was talking about, you could easily be confused about what was going on).The theory of realism itself, such as it is, is a parade of trendy topics in academia today, with little insight as far as I can tell, and a great deal of pomp. The part that would have been most useful to me -- the bibliography that captures the famously wide range of references -- is absent.
This is not only an important book, carrying a thesis that open a vital discussion to literary theory concerned with the nexus between history and literature, but it also comes in a beautiful edition.
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